Affairs in the music department were running smoothly. Mr. Brook did not have any serious embarrassments to deal with, such as the harp teacher last year who had finally eloped with a garage mechanic. There was only this nagging apprehension about Madame Zilensky. He could not make out what was wrong in his relations with her or why his feelings were so mixed. To begin with, she was a great globe-trotter, and her conversations were incongruously seasoned with references to far-fetched places. She would go along for days without opening her mouth, prowling through the corridor with her hands in the pockets of her jacket and her face locked in meditation. Then suddenly she would buttonhole Mr. Brook and launch out on a long, volatile monologue, her eyes reckless and bright and her voice warm with eagerness. She would talk about anything or nothing at all. Yet, without exception, there was something queer, in a slanted sort of way, about every episode she ever mentioned. If she spoke of taking Sammy to the barbershop, the impression she created was just as foreign as if she were telling of an afternoon in Bagdad. Mr. Brook could not make it out.

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