The winters in Central Asia are piercing and bleak, while the sweating, foetid summers bring cholera, dysentery and mosquitoes, but, in April, the air caresses like the touch of the inner skin of the thigh and the scent of all the flowering trees douses the citys throat-catching whiff of cesspits.

Every city has its own internal logic. Imagine a city drawn in straightforward, geometric shapes with crayons from a childs colouring box, in ochre, in white, in pale terracotta. Low, blonde terraces of houses seem to rise out of the whitish, pinkish earth as if born from it, not built out of it. There is a faint, gritty dust over everything, like the dust those pastel crayons leave on your fingers.

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