Donald Barthelmes new book of stories, Great Days, is perhaps most notable for the presence of seven formally related dialogues, "The Crisis," "The Apology," "The New Music," "Morning," "On the Steps of the Conservatory," "The Leap," and "Great Days," which introduce a new aspect of his work. In these restless, possibility-haunted colloquies, stripped of everything save voices, changing pairs of women and pairs of men range an emotional terrain whose poles are hope and memory. Extravagant, profane, and comic, the dialogues are a considerable achievement, testing the possibilities of form and extending our engagement with the world.

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