（一）

不像深秋。不像初冬。九六年最后一个月，香港的天气像晚餐桌上烛影里的半瓶白酒，冰意淡薄，暖流渐浓，乾乾涩涩的甜味撩起微醺的春意。只怕腊月大寒之后，残冬的滋味竟变得像青花杯中喝剩的绍兴酒，半温半冷，浮起梅子的酸味。

（二）

文学跟天气分不开。英国人对天气敏感。英国作家写天气格外传神。Virginia Woolf的日记写天气都寥寥几笔，竟有“经典”气：“All these days have been very fine, hot, blue sky, rather a high wind, Same again today”;“Another very bad day, though wind less furious. Swallows flying higher. Papers say storm had been all over England”;“Last day of August a very beautiful one. Wind soft, ﹠steadily grew finer hotter so that we sat out on the terrace after tea”;“In spite of a perfect moonlit night, mist rain ＆ wind, black all over the downs this morning”;“An almost motionless day; no blue sky; almost like a winter day, save for the heat. Very quiet”;“This page should be wholly devoted to praise of the weather. One curious effect of spring in the suburbs is that it produces an astonishing amount of male ＆ female singing in the evening”。中国旧文人写节令也考究。渔洋山人《雨登木末亭记》里有这样一段工笔：“中夜风起，闻雨声洒叶上，与檐角琅璫相应，枕簟间萧然有秋意。晨起盥栉，僧院中梧桐得两，青覆檐溜。盆山石菖蒲数丛，勺水渟泓，苍然可爱。南入高座寺，访山雨山人，时晨雨方零，空山寂历，宿鸟闻剥啄声，扑刺惊起。”

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